creative writing, Pat Aitcheson writes, short story

With A Kiss

a very short story

Photo by Rémi Walle on Unsplash

listen to this story here: 

People watching kept me entertained while I sipped fragrant apple and elderflower tea. I always preferred observing real life to endless scrolling or playing pointless games on my phone. Most likely I’d finish before Karen turned up and bought me something sweet to make up for her perennial lateness. Carrot cake would make a delicious apology.

The loud slam of a car door startled me as the coffee shop doors opened wide. Outside a dark haired woman strode along the footpath, her frown obvious as she approached the window where I sat.

Her companion caught up in a few long strides and grabbed her wrist. She spun around and shook her hand free. She waved her hands, stabbed a finger at his chest in accusation. He shook his head, fists clenched at his sides. One or two passers-by glanced at them but they paid no attention, fully absorbed in their moment of crisis.

He opened his palms in a placatory gesture while she slumped, eyes downcast. I took another sip of tea. Only a pane of glass separated me from the drama unfolding almost within touching distance. In movies, that would be the pivotal moment. He’d beg forgiveness, she’d realise what she was losing, and they would fall into each other’s arms.

She walked away. But when he called out, she hesitated and stopped. This was it; I held my breath, ready to cheer for the triumph of love and a happy ending.

She turned around and went back to him. The wind tugged at his hair as she cupped his face between her hands. He relaxed into her kiss and reached for her at the exact moment she let go. She gave him a small, sad smile before walking away, out of sight.

The man stood rooted to the spot, touching his lips as if to hold on to her final message. He returned to his car and sat for a while before driving away.

I wondered about them even after Karen rushed in, describing her own little drama of lost keys and a broken heel that could easily be repaired. My carrot cake was too sweet, a consolation prize that left a bitter aftertaste.

Love is no fairytale. Sometimes it ends with a kiss.


first published 13.4.19 by PS I Love You on Medium

blog, creative writing, Pat Aitcheson writes, writing process

How To Keep Writing When You Have No Fans Or Money For Your Work

stevepb via pixabay

Are you tired of giving away your best work and seeing no return?

You’ve taken the advice of experts who say they’ve cracked the code.

It’s simple. People don’t buy from strangers, so you need to build a following. Show up consistently with great content at no cost and earn the right to offer a paid product. Frame it as service, sharing your gifts with the world, or whatever else. The expert’s smiling profile picture beckons you. It can be done and they’re the living proof.

So you work and put your words out there, and you start to see results. You get more reads and votes. Then the excitement of those early gains fades. You’re still working, but not breaking through. You work harder to produce better stuff but it doesn’t translate into bigger returns.

You’re shouting into the void.

You begin to question yourself.

How far are you along the road to success?

How much more effort do you have to put in before it bears real fruit?

Are you on the edge of a breakthrough, or should you cut your losses?

You Don’t Know How To Think About Art

Most professions have a defined path. You study certain subjects at school, get a degree, then pass further qualifications. That’s how I became a doctor. Attaining defined milestones guaranteed success. I proved myself and the world recognised my achievement.

The artist’s way is different. Each creative person brings a unique set of skills and desires to their career and there is no one true way to achieve their goals. There is no map. There is no prescribed skill set or summative assessment. There is no definitive endpoint to say you’ve made it.

How can you continue to work under those conditions?

The issue is not lack of commitment. It’s a lack of certainty. The artist must commit to the work knowing that the outcome is uncertain. Progress in art is not measured by simple metrics.

Progress is hard to measure in any creative endeavor, I think. It’s often a matter of instinct, of feeling your way through what works and what doesn’t.
Kate DiCamillo

A professional attains a required standard and then uses their skills to make a difference. An artist makes a difference by practising their art and sharing it. There may be different notions of what makes good art, but the artist must create and share in any case.

Embracing the essential uncertainty of the path and committing to making a difference despite the uncertainty is the keystone of the artist’s mindset. Without that acceptance, you will falter and fail. Creating something new entails taking risks and leaving the known behind. You must be willing to sacrifice some security in exchange for novelty.

Even though the artist’s path is variable, undefined and badly lit, many people have walked their own version. I believe it’s possible to find a way through.

Do Just One Thing To Guarantee Failure

Source

You’ve already done so much, and you’re sick of it. A hundred posts, a hundred rejections, ten thousand hours, you’ve done it all.

But remember that everyone, no matter how successful now, started at zero. Zero followers, reads or votes. Zero book sales and earnings. If you are past zero on any measure then you are already succeeding at some level. Give yourself some credit, and keep going.

When you look at the successful people in your field, remember survivorship bias. Their results look better because the failures have left the field. You don’t know what combination of hard work, talent, and blind luck got them to their current position.

What you should know is that by continuing to show up, you increase your chances of being in that group of survivors. When others give in to their doubts, put your head down and keep going.

Success lies along an exponential curve. If you put in the work and practise deliberately, you’ll move along that curve until you reach the tipping point.

source

Two things predict arrival at the tipping point:

  1. Sufficient effort
  2. Sustained effort

You have to do the work and there is no shortcut. That means writing while implementing all the advice you’ve read, not just continuing to write the same way without implementing new techniques. That’s not real practice and doesn’t count toward the tipping point at all. Many writers don’t understand this. Act on advice so that you improve, and keep going.

If you stop before the tipping point, the rock rolls back down the hill. You’ll be crushed by the process and much less likely to try again. Go on without stopping until it starts to feel easier, and then keep going.

Only failures quit.

Stop Chasing Unicorns

Comparison is the thief of joy.
Theodore Roosevelt

Every industry and creative endeavour has its rock stars. They are the titans whose success dwarfs all others. Each has such a massive audience that acclaim is almost guaranteed, whatever they produce.

You might notice that their later output isn’t actually stellar quality. No matter. They’re at the far end of the curve, and now receive high rewards for less effort. Their situation is the reverse of yours.

None of that matters to you.

They struggled in the beginning and stayed the course to make it. And the environment in which they succeeded is not like yours, because time has passed and everything changes. Their past success has nothing to do with your future success and does not prevent you from seeking it.

Stop reading them and indulging in self-flagellation or angry rants about their content. This is the embodiment of drinking poison and expecting the other person to die. It hurts you and only you.

Compare yourself only to past you. Are you moving in the right direction? Don’t chase unicorns, chase your future.

Serve Your People Better

“I haven’t got an audience,” you say. But you’re here and I guess you have a few followers or readers. The number isn’t big enough for you yet, but it’s not zero.

So what are you doing for those people? Are you like those annoying corporations who woo new customers with all their best offers and leave their existing customers in the cold? You’re so focused on the people who don’t know you that you turned your back on those who do.

Some people are watching. Some people have shown interest and faith in your work. Think of them as individuals, which is what they are. What are their needs, fears, and dreams?

Then ask yourself how you can meet their needs, nurture their dreams, inform and support and entertain. You’re here to serve in some way, so dive deeper. Give your fans 100% of your effort and knowledge and insight.

Discover the problems your actual audience has right now, and offer solutions.

An Inconvenient Truth

Jean-Luc Picard, Star Trek: TNG

When you’re used to putting in the work and seeing direct results, this is a particularly hard pill to swallow. The action ⇢ result switch appears to be broken because you acted but nothing happened.

This is true — but only in the short term. If you continue and keep faith in the process, you’ll find that what you’re seeing is not failure, but delayed success. Keep going.

Time For A Reality Check

I know you want to give up because I want to stop too. The things I want seem too far away, and my efforts are too small to make a difference. I’m tired.

At this point, you need to remind yourself of your effectiveness. When you feel useless, it bleeds out into a generalised despair. But you’re not a total failure. You’ve succeeded at many things already both large and small. You’ve survived life so far.

I had a professional mentor once who I found almost impossible to work with. I needed the six-month placement to complete my training. Most of my days were spent just surviving because you can tolerate any job for six months, right?

I barely made it.

Almost nothing of what he tried to teach me remains, except this. He advised me to keep a compliments file. Since it was inevitable that someone would complain about my work, and I would feel bad about myself, the compliments file provided a reality check.

You feel like you’re useless and everybody hates you. But other people enjoy and are grateful for your work. Print out those comments and emails. Keep them in an actual file that you can see and feel. Person A felt your words helped them. Person B found your advice useful. Person C loved your way with words.

Recall your life successes, whether it’s a diploma awarded or a joke well told. Balance your negative with all the positive you can muster. Go find your nice comment, print it out so it’s tangible, and look at it to remind yourself you’ve won before, and you can win again.

You Can Conquer The Swamp of Suck On Your Path To Greatness

Source

You’ll always have good and bad days. Know yourself and your triggers to navigate your downswings more easily. When you feel better again, think about how you got there and what you need to avoid or mitigate the trigger.

Cherish positive comments and hoard them for encouragement in difficult times.

Every win is a treasure. Track them, acknowledge them, be grateful for them.

Celebrate when you reach a milestone. Don’t just shrug it off and look at the next goal. Attach a treat to each milestone because the top of the mountain is a long way off. Even those who conquer Everest make camp along the way.

List your goals and write a reward next to each one. The only rules are

  • the reward must be within your power to give and
  • the reward must make you smile.

Do it now.

Your Engine Is Inside The Car

We quickly adjust to new situations, whether it’s more money, a bigger car, or the next thousand followers. These things lose their ability to motivate us and we say familiarity breeds contempt.

Extrinsic motivators like metrics and fame work for a while to pull you along. But if you don’t have them yet — and even when you do — you need intrinsic motivation. This is your engine. The small voice that won’t be silenced, that says after all this struggle you are still gonna write anyway and be damned because not writing is even worse than writing without immediate reward.

It is the combination of reasonable talent and the ability to keep going in the face of defeat that leads to success.
Martin Seligman

So go forward, and write anyway. What else are you going to do? Take what you have, and keep going. I’ll see you there.

 


Have a comment or question? Drop it below and start the conversation.

 

audio, blog, creative writing

No less valiant

woman mountains_Free-Photos
Free-Photos via pixabay

Deeds will not be less valiant because they are unpraised.

JRR Tolkien

Listen to this story: 

She has a long way to go, she knows that. She must go alone, difficult and dangerous though the journey is, inadequate as her weapons may be. They are all she has, those and the fire she carries within. There will be dragons of one kind or another. Some might be slain with care, and luck, but others are best avoided. And she must tell them apart before it is too late.

She seems ordinary, mousy perhaps, meek. The meek do not inherit the earth; it is a lie to keep them from questioning, from overturning the old order. Know your place girl, under the yoke, under the lash, under the patriarchal boot. This girl goes about her business, eyes lowered. She plots rebellion silently in her heart.

She gathers things that might be useful. She is invisible, mouth zipped, both ears open. People spill scraps of information upon the ground and she carries them away for safekeeping. Things that she is not meant to know, yet she does know. A weakness, a shortcut, a place to hide or rest, all may be useful on her quest.

She lies awake, wondering if it would be better to stay. And she goes to sleep knowing that she cannot.

The day comes. She laces her boots and checks her equipment and looks around one last time. This quest is hers and no-one else decreed it. To win or lose is her responsibility and though no person waves a tearful goodbye or cheers her on, yet she will go. There is a new world out there, and someone must be first to blaze the trail with new footsteps.

They may not sing songs of her exploits nor raise a statue to her. But when she conquers the peak, then her light will burn in the world to give hope to the next adventurer. They will add their footsteps to the faint path she has left. See, they will say. Change is not impossible. One walked this way before. I see the distant beacon.

She shakes off expectation of what she should be. She faces her fear of what will happen if she does not comply. Here, she says. I will show you what I can be, whether any watch me or not.

She closes the door behind her, and she does not look back.

audio, blog, creative writing, Pat Aitcheson writes

Forever summer

a short story

deckchairs_Stevebidmead
Stevebidmead via pixabay

Listen to this story:

 

(A video uploaded to YouTube shows a woman, her face in shadow, speaking directly to camera. A soundtrack of wave sounds accompanies her words.)

Curfew has been in effect for some time. We didn’t think it could happen here and many people openly flouted the rules. Until James Beck vanished and never came back. He was the first. We were all more careful after that.

The news is always cheerful, telling us things are getting better and our leaders are making great progress with diplomatic approaches. Just carry on with your lives. Be sure to be indoors by ten o’clock. Everything will be just fine.

The dream came occasionally at first. I thought I was just pining for old times, wind in my hair, sand in my shoes, melting ice-cream licked from my fingers. Nostalgia for a rose tinted past in a grey present and uncertain future. It was always summer, warm but not too hot, the sea rippling deep blue under azure sky. There were no clouds.

Upbeat news fills monotonous days, yet my night world sparkles with sunbeams on gentle waves and the drowsy heat of midday. They tell us not to worry. We don’t worry; we lie alone in bed staring at the dark and hope it hides the monsters.

I must go down to the sea again. My sister used to recite that poem over and over until the words lost all meaning. It comes back to me now, the soundtrack for my wide-eyed nights and my eventual dreams of summer. They are long in coming, but now they come most nights.

I asked Daniel to come with me, but he said he was too busy and anyway, we’d risk being out after curfew. It’s just one time, I said. I won’t ask you to go again. He said he’d think about it.

Once I upload this message, I’m going back to the beach. I know what I will find.

The sky will be a hard, pitiless blue. The sea will darken, and pause for a moment before a brilliant flash. And the sky will flower with a thousand suns, and the last cloud will rise.

If anything remains of us, know that some remembered summer.

(Film ends)

blog, creative writing, Pat Aitcheson writes

Gone

a science fiction story

rusting cars_forest
Metallic structures found by Bard Loren on Earth

 

Captain’s note: 147.29.1

These entries were made by Bard Loren, and discovered after her disappearance. In addition to the journal, she uploaded over 15 dozettabytes of data, which will greatly offset her tragic loss on this unsuccessful mission. This is her legacy. May she walk with two shadows.

 

Journal entry: 147.15.1

This is a place more wondrous than I ever thought to see with my own eyes. Everywhere is green.

Bright colours flash and call above me, I think they are called ‘birds’. All around are things I cannot name. But I must try to name them, for that is why I was chosen. I am the foremost Bard of Novaterra, and I swear on the twin suns this is no idle boast. I store the images in my digicodex for later analysis back on board. All those nights in the archives, imprinting lost languages and reading the history of the Founders have come to this.

I have my epicsongs composed and ready, to share with the good people here. This is the greatest honour, to see our origin planet, and save any who wish to leave it.

I confess I hardly recognised this place from the files. The Founders recorded how their home stagnated, torn apart by war that followed desperation when the skies turned grey, the waters rose and land became scarce. That is why they turned to space. We have made the journey of these few light years much quicker than they.

But I did not say it was easy. It is cold in the space between stars, and no place for humankind. We were relieved when the planetary beacon guided us safely to the docking station. Although it was entirely unmanned, this did not surprise us. It is hardly necessary to waste human toil on such a routine task.

I must rest. Solar days are shorter here, and there is only 0.2095 oxygen in the air. No doubt a good 18 hours of true sleep will help wash away the lingering effects of hypersleep.

Journal entry: 147.15.2

This place is magical. Despite the warnings of the cyberdoc, I removed my helmet today. The air is quite breathable although I am gasping and sweating as I press on through green vegetation, towards the last recorded location of a sizeable humankind settlement. I am both excited and apprehensive. Will they understand me, and I them? Do they have their own, ancient culture to share with me? Will they understand the concept of a Bard?

I carry our history, our thoughts and ideas coded in organic memory storage. Perhaps they do not have the necessary interface and holo-display, but we carry these on the ship. The rest of the crew have stayed on board, broadcasting on all frequencies, but I wanted to experience this world first hand. Darkness caught me unawares and I had to return to the ship. More tomorrow.

Journal entry: 147.15.3

I asked the cyberdoc to enhance my performance, and grudgingly it performed a small gene splice. Now my oxycytes are more suited to the stronger, bluer sunlight here. Sol is much closer to Earth than our twins Novasol 1+2, and we have adapted over the generations. Oxygen is abundant at 0.2547 on Novaterra, and I really feel the difference. It was predicted of course, but to actually feel it- that is another thing altogether.

Captain Marish does not like my wandering. She only tolerates it because I am a Bard, and therefore expendable. But I am bringing back valuable data, and I upload my digicodex each night before sleep.

Journal entry: 147.15.9

I discovered today that my blood is dark red now. Maybe this is unwise, but I have discarded my Exosuit. I found liquid water running on the surface! This I know is a key characteristic of Earth, but to see it, feel it, taste it. I walked into the water to understand it better, but slipped and fell. I cut my hand on a mineral formation beside the water, and watched in wonder as dark drops welled from the cut and dispersed into the liquid water. I keep saying this, but you have to see it to believe it. No mining, people can actually live on the surface here! Amazing.

Journal entry: 147.16.3

I have not encountered any humans, but have recorded many types of lower animals. Marish tells me that all is in the archives, but what does she know? The Academy does not encourage questioning, and after all I am the one who has spent more than fifteen twin-sols studying Earth.

I find myself out of step with the crew. They refuse to come out of the ship, and my sleep cycle seems to be related to Sol’s movements.

But the things that are not in the archives are marvellous. Where the trees thin out, Sol’s yellow rays are warm on my skin. My breathing is easier now, and I carry skinbond for minor injuries. At night, I see unfamiliar stars that do not appear on my maps, and there is a single moon.

How could the Founders have considered this place so terrible that they journeyed across the stars to find Novaterra? It seems utterly beautiful to me. Oh, the epicsongs I will compose when I return! They will be the stuff of legend.

Journal entry: Sol 16

I have decided to use solar dates from now on. It makes more sense, and when I stay out overnight in a pod I get a little disoriented keeping to Standard Time. I came across the strangest thing today. (Image attached). I will research these metallic structures in the database.

Journal entry: Sol 21

There has been no response to broadcast and the Captain wants to move on. The metallic structures are manmade, and they were some kind of primitive transportation. They all point away from the settlement co-ordinates in a long, unbroken procession. There are no humans, anywhere. Are they hiding? Did they flee, and if so from what?

Journal entry: Sol 35

I have uploaded all my data. I cannot find the settlement; it is as though the earth has swallowed it in green. But I have Sol warm on my skin, rich scents as yet unnamed and the taste of liquid water on my lips. My skin grows pinker each day, and the only grey is beneath my unisuit. I feel strong and I am happy. I cannot convey to you the joy I feel when I hear the birds sing, and I leave that to another, better Bard than I.

Meantime, I have taken the interface and holodisplay, and some supplies. When I succeed I will activate my beacon. I am sure that no one would willingly leave a place like this, that the Founders would surely have called “Eden”. My search for humans goes on, for I must find them.

~journal ends~

blog, creative writing, Pat Aitcheson writes

The Blue Box

a ten minute tale*

blue box ribbon_Schwarzenarzisse
Schwarzenarzisse via pixabay

 

She tried to forget about the box. Really she kept herself so very busy, that she almost truly forgot about it. But it was always there, catching her step when she walked past, whispering into her ears when she wasn’t listening.

A box could contain everything and nothing. But she didn’t look because she didn’t care to find out.

She found it one warm summer afternoon, long after the funeral. She had been stiff and dignified, accepting the mourners’ murmured words of condolence. But she felt nothing. Those words rang hollow after all the sniping and criticism. Her mother had ground her down for years until there was nothing left. Or so she thought.

It was so unfair that there was nobody else to help. Her beloved father had gone years before. She imagined him apologising to the paramedic.

“Sorry to cause all this fuss,” he would have said as they bundled him off to the hospital. There, he had held her hand as she wept real tears.

“Really, Theresa, you’re making an exhibition of yourself.” Her mother’s scold bit deep.

She tried not to cry at his funeral. At her mother’s funeral, she didn’t. They all said how well she was doing.

Clearing out the house alone, she found the little dusty blue box, tied with navy ribbon. Eventually she gave in. It rattled.

Inside it she found the baby shoe she had once worn. Finally she cried, that her mother had remembered a softer, better time.


*written longhand in ten minutes, from a random word prompt: box

blog, creative writing, Pat Aitcheson writes

Whispers

vortex_photovision
photovision via pixabay

 

I thought I was over you. It’s been a while now, and they say time heals.

They don’t say how much time.

I got a new phone. It was a good opportunity for a clear out, you know, out with the old, all that. Anyway. I should just have hit delete all, but I’m always careful, don’t want to discard something important. So I listened to all the messages, clicking through, delete delete.

Your voice caught me by surprise. Your tone was sad, asking me to call back. I didn’t remember ever getting the message. Listening again, it sounded like you really needed to speak to me. Whatever you had wanted, obviously it could never happen. I’d sat in the front pew, blinded by tears. Grief swallowed my voice and I couldn’t sing for you one last time. That broke me even more.

I deleted that message.

Then the messages started, from an unknown number. They were crackly and unclear, but your voice was always there.

I deleted them all. They kept coming, though I changed my phone again. One day I heard you on the landline answerphone, and my heart stopped, for a panicked moment. I threw out the answerphone.

It felt like going mad.

After a while, I started to wonder. Were you really trying to contact me? Nobody has ever proved communication from the dead, and I certainly didn’t believe in any mumbo-jumbo. But. What if it was you, trying to pierce the veil from the other side?

The idea took root in my mind, and I stopped deleting the messages that popped up on my voicemail. I listened to them over and over, your almost-words teasing me.

I ran them through voice analysis software, trying to make out your words. Sometimes I thought it was just you breathing, but with distant singing and static. Waiting for me to reply.

I have so many things to say to you.

I have a brilliant idea about the source so I bought a ham radio and I’m combing the frequencies. I’m certain that if I tune in right, we can talk again. There’s a lot of wavebands to cover, but nothing is more important than this.

I will devote all the time we didn’t have to finding you. No matter how long it takes. I already know what song I will sing.

Can you hear me?

 

blog, creative writing, Pat Aitcheson writes

All the sands that touch the sea

beach_publicdomainpictures
PublicDomainPictures via pixabay

WINNER OF THE HE BATES SHORT STORY COMPETITION 2016

 

Sean wiggled his toes and felt tiny grains of sand slip between, insinuating themselves under his nails and scouring his skin clean. The familiar sensation calmed his jittery nerves, and he decided to sit and wait. The boat was nowhere in sight yet, but it would soon come. No sense in stressing over it, and who could be stressed under this warm sun, with the sea stretching away to the edge of the sky? Sean placed the heavy rucksack carefully on the sand and sat next to it, creaking a little. He burrowed his feet into pale sand, adjusted his wide brimmed hat and watched waves come and go.

The first day he saw Valerie, she joined his lunch table. She sat opposite and of course didn’t speak to him, chatting to her friends instead. He joined in the conversation but she paid him no mind. No matter, he thought, there will be another day.
Over the course of many lunchtimes, groups of colleagues gradually bonded as their Venn diagrams first overlapped and then coalesced. The bright sun of her smile lit up dark eyes and skin and drew him in, inexorable as gravity. When eventually he asked her out, he held his breath awaiting her answer. Her words sparked a flame in his heart, and her smile was the only thing he saw.

He brought her to the strand where he had grown up, playing fetch with a series of childhood dogs long gone. “I’m going into the water,” he said, stripping as he spoke. Valerie looked doubtfully at the churning blue grey waves, far away over pale sands. “You’re crazy. You’ll die out there, or get exposure or something.” She zipped her jacket right up under her chin. “Don’t think I’m coming with you. I only do warm tropical waters.”
“Oh, I know that. Wish me luck.”

He smiled and kissed her, taking a little sunny warmth with him, and ran headlong into the cold sea. She waved and watched him swim for a few minutes. When he emerged, shrunken and tinged blue, she pulled the blanket from the beach bag and waited.
“You’re an idiot.” She wrapped him up and rubbed his back while his teeth chattered. “Maybe, but I’m your idiot.” He pressed his cold lips to hers, and when he pulled back she watched his face crease in a smile.
“The sea is in your eyes,” she said, but in answer he shook his head.
“No, don’t be silly.” Sean pulled on his shirt and she handed over his sweater. “Tell you what, I need to put some coffee in my stomach. Warm me up a bit.”

They held hands walking back to the car, then found a café on Wexford Main Street where they sat a while over steaming mugs, letting the colour return to Sean’s pale cheeks. Valerie dragged him into the jewellers’ shop after that, where she picked out silver earrings set with deep blue lapis lazuli. She liked to have a souvenir from the places she visited. He stood by, in the shop he had never really noticed on a too familiar street.

Back in the English city where they lived, far from the water, Valerie wore the earrings sometimes and Sean remembered the strand. He had escaped its narrow reach, but now and again he took her back to the cottage where he grew up. His mother cleared the spare bedroom for Valerie, and fed them potatoes, cabbage and corned beef.

On their way back from the pub one night Valerie stopped in the middle of the lane. She squeezed Sean’s hand and looked in amazement at the deep blue sky sprinkled with stars. “Wow. This is too fabulous. No light pollution, and look! You can see the Milky Way here. I love the stars so much.” She gazed into the sky, transfixed, and he saw the wonder of the heavens in her eyes.
He knew, then.

In Tenerife, Valerie and Sean sat on fine sand, the sun warm on their skin. The travel agent had warned them that the beaches were black, but they didn’t care as long as it was hot. “Anyway,” she pointed out, “the sand may be dark but it still sparkles when the sun catches it. You just have to look closely.” She let a handful slip through her fingers and scatter on the wind, and he had to agree. It was easier to spot pale seashells where they nestled among dusky, glittering grains.

She bought silver earrings shaped like crescent moons in a little shop behind the main street. He held her hand tight and gathered her up into a warm embrace that smelled of her rose perfume, of safety and love.

The boat approached, and Sean picked up his rucksack and sandals and waded out to meet it. The boatman chatted about weather over the sound of the engine, and the hurricane that had devastated the neighbouring island the year before. Sean relaxed as they talked about anything and nothing important, and the boat slipped out of the bay.

The sea here was turquoise and blue, and he could see clear to the bottom. It was nothing like the angry, snot green sea that had lashed the strand the day Sean asked Valerie to marry him. The storm came in fast and brooding grey clouds touched the sea. Rain soaked his bare head but he felt only anxious excitement. Down on one knee, yes, all that, the ring in a blue velvet box and their black Labrador frolicking around them.

He was back in Wexford, but he was not yet home. She was what he sought, and his heart swelled again when she rushed into his arms and kissed him over and over. Between each kiss, the word yes.

Later, Valerie sat under a huge umbrella while he went down to the water’s edge. She was careful to keep their daughter in the shade, and the toddler clapped her hands in delight when her Daddy returned. In his hands he bore the seaside in miniature, and he sat Anya down with the bucket. She fished around in the bottom and drew out sand, and a shell. But the shell held a surprise, and she dropped it in shock when a hermit crab popped out. Sean picked it out again and showed her, and Anya forgot her tears in her fascination with its tiny waving claws.

The pale sand of Puerto Pollensa Playa was quite the equal of more exotic beaches, with sun sparkling on the blue sea of the bay. They would return many times, until the children were old enough to let Valerie wander the shore gathering shells, just as she had on a Caribbean beach long before. The children squealed around her as shells grew legs and scampered back to the sea.
Sean watched her emerge from the shallows, his dark Venus, a child on each hip and still, that smile he knew so well. They were both transplanted, yet no place seemed foreign as long as they had each other.

Much later again, Sean and Valerie walked a Norfolk beach in wellies. They buttoned their coats against a cool wind, accompanied by another black dog running in and out of the water and three reluctant children, dragged from their phones and consoles to the outside. Valerie strode ahead, as if wanting to be alone. There were no shells, but in any case he saw her head was up. She was not looking for them. Sean brought up the rear, and the distance stretched between them, filled with children and work and accumulated grievances.

They had their house, far from the sea, with her beachcombing finds lined up dusty on a shelf. They had their family, their dog, their shared life. They had all the beaches they had seen together, but Sean felt oddly misplaced again, as though he were once more the immigrant in search of something he could not find at home. Home was slipping away, fading and less substantial the more he tried to grasp it. The sun was permanently obscured by clouds, and a chill fell over them.

One by one, the children left to pursue their own half-seen dreams. The dog and the house grew quieter, and in that space he sought her again. Sean and Valerie went back to Norfolk, and walked side by side this time, talking. He took her to brochure worthy beaches all over the world. On Whitehaven beach she laughed when she heard the brilliant quartz sand actually squeak underfoot. In the Australian desert she gazed with delight at Jupiter’s rings, seen through a telescope. In Mauritius he presented her with the most perfect conch shell he could find, pressing it into her hands and closing her fingers around it with a kiss.

In their white linen bed she sighed when he held her close. Once more she said, “You really do have the sea in your eyes. It’s not a tropical sea, but still lovely to me.”
He did not disagree this time. Instead he smiled and kissed her again, soft and sincere. They crept back towards each other cautiously, remembering all the seas and beaches and storms they had shared, and he was safe again.

Sean asked the boatman to stop his little craft some way from the shore. The  boat bobbed on the surface, and despite his hat Sean felt sweat bead on his forehead. He took off his sunglasses and rubbed one hand down his face. It was so peaceful, he could almost believe he was alone. He missed the sound of waves on the shore, but this was the time and place.

Sean pulled the jar from his rucksack, and then felt around for the blue velvet pouch. He took them out in turn; the lapis earrings, the crescent earrings, the shells and smooth worn pebbles she had picked up, the pretty pieces of broken coral he had gathered for her when snorkelling. Without her, they were random objects, and he cast them into the warm sea in tribute and watched them sink out of sight. Their fate was no longer his to decide.

When he leaned over, her wedding ring swung on a gold chain round his neck. He tucked it back inside his shirt, reassured by its warm weight against his skin. Under the impassive gaze of the boatman, Sean uncapped the jar. He swallowed hard.
“I brought you back to tropical waters, just like I promised.” He turned the jar over and spilt the contents. The ashes drifted away on a warm breeze, and melted into the blue green sea.

He fought the lump that came to his throat, but nothing could hold back the sea of tears that blinded him. The boatman thrust a tissue into Sean’s hand, and he wiped his eyes. He stared out at the sparkling horizon and its promise of adventure in distant lands until his vision cleared, and his heart stopped trying to follow her.
“Take me back,” he said, his tongue thick and dry. “And thank you.” Sean replaced his sunglasses and sat down, clutching the empty jar to his chest.
“No problem, man, no problem at all. We go home now.”

Back in England, Sean sold the big house and named a star for her. Though Valerie would not see it, he knew she would have loved it. She had always said that rituals are for the living, not the dead, and he was both amazed and comforted to find himself smiling at the thought. He had left home, and found a home, and he did not think any beach would feel like home again. But she was in the stars and the oceans, and one day her treasures would wash ashore cleaned and tumbled, waiting to be found.

creative writing, from elsewhere

Long story short

I found this wonderful piece by Jake Lira on Medium. Enjoy.

 

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Life isn’t a fairy tale. Hell it’s not even a book. If it were, the cover would be bent and sentences would run right off the page. Most chapters would wander and fail to pick up where the last left off. The plot? Heartbreakingly thin more often than not. No, life isn’t a book. Much more a collection of short stories fervently scribbled on whatever happens to be on hand. Sometimes a bar room napkin or a stolen post it. Perhaps penciled in a calendar or permanently penned on a bicep. And if we are lucky, from time to time end up etched in kindred spirits.

– Jake Lira