blog, creativity, self improvement

Reboot Your Dreams To Get More Out Of Life

Photo by Paulin on Unsplash

Kids these days, huh?

They have it so much easier than you and I do, caught up in the humdrum world of adulthood. It makes you angry, how carefree and downright dreamy they are.

Under the anger lies envy. You long for something you lost long before you could even really appreciate it, and now you can’t see how to get it back.

Parents and teachers told you not to waste your time dreaming, because it doesn’t lead anywhere. They told you success comes from hard work here in the real world, doing serious jobs. You took that lesson to heart, put your head down and became realistic about what you could achieve.

You were caught in a trap and told it was the right place to be.

But your dreams didn’t go away completely. Occasionally you glimpse them out of the corner of your eye, when your brain drifts in a boring meeting or long commute. Sometimes the sight of someone else living your dream makes you envious or sad, and you can’t fully explain why.

You know, deep down, something’s missing from your life.

An Imaginary World

Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will.
George Bernard Shaw

None of the technological and artistic advances we now enjoy were created purely by realists.

Sure, when it comes to implementation, refinement, and exploitation, a concrete approach is essential. But concrete builds solid foundations. It does not let us fly.

Everything that exists in the world begins as an idea. An idea can be as expansive as your imagination. In other words, ideas are limitless. Work must be done to manifest ideas in the real world, but dreaming is free.

Realism doesn’t produce innovation, it produces incremental improvement. To make something new, you must first dream a new dream. That’s how the world got cars, airplanes, telephones, computers, and video games.

That’s how you’ll get where you want to be.

Put Away Childish Things

It’s never too late to have a happy childhood.
Berkeley Breathed

When you decide how to behave in a given situation, the voices of caregivers and authority figures loop endlessly, and often unrecognised, in your inner conversation.

Your father no longer scares you so badly you can’t look him in the eye, but when faced by an aggressive manager that’s exactly what you do — without thinking. And you wonder why you can’t assert yourself.

School days are far behind you, but when you browse painting sets online your old art teacher whispers that you have no talent. And instead of wondering why you’re looking at paints, you click away. That’s not for me, you say.

Here’s the thing. You’re an adult now. No-one is the boss of you.

You get to decide how you act at all times, and you take responsibility for your actions. At some point, you need to stop blaming parents, caregivers, teachers or others in your past for how you respond to life now.

The past experiences and attached emotions that make up so much of your inner self-talk are no more than an outdated script. When you realise that your reaction today is based on the memory of a conversation that’s decades old, you can escape your past.

That was then and this is now. You can choose to respond differently and write a new script.

That’s when you grow up.

Start Your Second Childhood

The creative adult is the child who survived after the world tried killing them, making them grown up. The creative adult is the child who survived the blandness of schooling, the unhelpful words of bad teachers, and the nay-saying ways of the world. The creative adult is in essence simply that, a child.
Julian Fleron

You’ve had your share of bad experiences that have shaped your life. Now it’s time to turn the page and write a new chapter with new rules. Acknowledge what feels bad and let it show you where you need to seek something better.

This means rediscovering your inner child. Try books from this list to guide your journey. Or let go of your old programming and try something new, like the artist dates described in Julia Cameron’s book The Artist’s Way.

We are all innately creative. You can be a functional adult and still retain childlike wonder and creative flow. Both are essential to a sense of wholeness.

Photo by JR Korpa on Unsplash

From Reality To Fantasy

Creativity is putting your imagination to work, and it’s produced the most extraordinary results in human culture.
Ken Robinson

Now you know that cultivating dreams is not only good but essential and nobody can tell you otherwise, it’s time to examine what that means for you.

Although dreams look very different on the outside, they can be stripped down to a small number of basic desires.

  • Security: safety, stability
  • Love: belonging, bonding, intimacy
  • Esteem: respect, confidence, achievement
  • Self-actualisation: spontaneity, knowledge, purpose, and meaning

Understanding your underlying drives will help you see whether different approaches to similar goals are right for you.

One person might value respect, another stability. The first is happier writing well-reviewed literary fiction, the other writes copy that sells. Their dreams might look like ‘my novel is featured in The Times Literary Supplement’ versus ‘I support myself by writing for others.’

Both are writers but their dreams lie on different paths. Our desires form a hierarchy of needs and we are happiest when the earlier needs are met before seeking out the higher ones. That might mean putting your dream on hold while you work on strengthening the foundations of life.

Look Inside

This simple visualisation exercise is designed to bring your dream into focus so that you can use it as fuel in the real world. I’m going to talk about writing, but it can be applied to anything you want to create.

Get comfortable and close your eyes. Breathe slowly. Future you has achieved your wildest dream. What do you see?

You’re typing on a new laptop in a cosy study, and your days as a wage slave are behind you. You’re holding a copy of your book in Barnes and Noble. A bus drives past advertising the film of your book.

Now zoom in on specifics. What are you wearing? Is the bubbly in your glass Prosecco or beer or mineral water? Use all your senses. Turn up the brightness and create a vivid picture.

In dreams there are no limits to what you can do.

If you want to be a number one bestselling author, touch the cover of your book. If you want to finish a triathlon, hear the spectators’ cheers. If you want to build a million dollar business, see your signature on the annual accounts below a seven-figure number.

In this place there are no limits to what you can do. And it can only come true if you first create it mentally.

When you have the picture and the feeling that comes with it, associate it with a physical sensation. Pinch your thumb and middle finger together firmly while picturing your dream in all its multicoloured glory.

Practice frequently until you can recall the dream with ease, simply by pressing your thumb and middle finger together.

Great athletes use visualisation to increase their chance of winning. They work towards a clearly defined image of success. They’ve lived it so many times in their minds that it already feels real.

Where Are You Going?

It doesn’t matter where you’re going, as long as the destination matters to you.

Once you have a dream fixed in your mind, check whether your actions move you closer to your goal or away from it. That might mean giving up socialising because you’re training hard, or putting your great novel aside for six months while you concentrate on financial stability.

Sometimes the way forwards is sideways or even backwards. As long as you stay pointed at that wonderful dream destination, you can still make it.

Either way, you’re in charge. You own your decisions and their consequences. You stop making excuses. Your destiny is in your hands.

Go get it.

blog, creativity, productivity, writing

How to Find Writing Success By Leaving Your Niche

time to move on

adult architecture binoculars building
Photo by Burst on Pexels.com

 

You know success is out there but you’re not finding it no matter how hard you dig. You see others strike it big and assume they’re luckier or got a bigger shovel.

You could have the perfect tools and focus on your goals, but it won’t matter if you’re digging in the wrong place.

People may spend their whole lives climbing the ladder of success only to find, once they reach the top, that the ladder is leaning against the wrong wall.
Thomas Merton

The Double-Edged Sword of Focus

You work hard, eliminate distractions, and focus on one area. This can be good and bad at the same time.

Take gold prospecting. Digging a one hundred foot mine shaft will keep you busy, whether the gold lies there or not. If there isn’t any gold, all your work will be in vain.

The same can be said for your writing.

How do you know where to invest your effort?

You need to go wide and then deep.

Trying new areas is the only way to know if a better prospect is out there for you.

The gold miners need to survey the whole landscape first. They go wide. The surveyors dig exploratory mines in promising spots. They only go deep when there’s a good chance of reward for their efforts, because they have to process a lot of ore to find nuggets of gold.

Then they study the landscape to learn the signs that tell them there’s gold further down, which makes it easier to spot next time.

For example, I wrote an article about being let down by a former friend. It was more popular than anything I’d written up to that point.

Friends shared it and reached out to me on Twitter. It wasn’t viral, but it was a little gold strike. Once I got over being amazed, I studied it to see how it differed from previous pieces and came up with the following points.

  • Personal tale
  • Readers like emotional stories
  • Universal theme of betrayal
  • Conversational style — written as a letter
  • Shared to social media on a ‘quiet’ day
  • Friend shared it on her Facebook feed
  • Cross posted in several places — blog, Medium, Twitter
  • Performed best on Medium

So now I have some pointers to what might do well, and where. I can choose to add the personal, and decide on the best writing style to use next time.

The other lesson is that it’s impossible to predict what will do well and where. Spread your net wide.

Want more? You’ll have to do more

Quality comes from quantity. You can’t hit the target if you don’t shoot, and the more shots you take the more hits are likely. Yes, a debut author might be nominated for the Man Booker Prize or get their first novel filmed by Steven Spielberg.

But these are unicorns, rarer than a lottery win and even less predictable. Working consistently is the best route to success.

There are two ways to approach diversifying your writing. You can explore your niche more widely, or move outside it altogether. Let’s look at that in more detail.

Challenge grows your writing muscles

Life begins at the edge of your comfort zone.
Neale Donald Walsch

You want to do more. You want to achieve your potential, though you’re unsure what that might look like.

That means leaving the comfort zone and doing something new. Then assess your results and adjust your course. Let’s see what that looks like for a writer.

Try a new fishing ground

Writing divides into three very broad categories.

  • Fiction
  • Poetry
  • Non-fiction

Writing fiction teaches imagination, how to move a story along, and how to tell the truth by hiding it inside a story.

Writing poetry teaches focus on emotions, how to condense expression, how to convey concepts in word pictures that show the world in a new light.

Writing non-fiction teaches structure, clarity of expression, how to make an argument, how to persuade and inform.

The best pieces include elements from more than one discipline and appeals to more of our senses and emotions. We write to change how people feel, so having more tools leads to better engagement with our audience.

Crossing the boundaries could look like this.

  • Poetry plus non-fiction elements:
    Structured poetry forms like sonnet, villanelle, tanka
    Polemic — a poem with a strongly stated point of view
  • Fiction plus non-fiction elements:
    Tightly plotted fiction
    Historical fiction with strong research base
  • Fiction plus poetry elements:
    Lyrical writing style
    Highly descriptive but concise style
  • Non-fiction plus poetry elements
    Descriptive travel writing
    Immersive memoir

Learn new ways to tell your story. Blur the boundaries. Take what you learn back to your chosen area and play with it.

Try a different corner of your own field

If you always write free poetry, use a recognised form like a sonnet. If you write technical pieces, write a think piece on your industry or an interview with a leader in the field. Horror and romance writers, switch genres.

Your next piece will benefit from a new approach.

Wave a flag and get noticed

This is a great time to be a writer. Gatekeepers might still guard the doors to traditional publishing, but it’s never been easier to choose yourself and get your words out there. That inevitably leads to a crowded marketplace, but there are ways to stand out.

Enter a competition

In a world of almost limitless choices, recommendations count for a lot. That’s why star ratings are so powerful. Winning a competition or even getting shortlisted in one can lead to new opportunities. A win says you can be trusted to tell a story.

In 2017 I won first place after entering the HE Bates Short Story Competition. The boost this gave my writing career and confidence continues even now.

The win raised my profile among friends and family, some of whom took my writing seriously for the first time. The story was published in a local lifestyle magazine.

I now write a monthly story for them and continue to build my portfolio.

It’s a virtuous circle in which success opens doors and changes attitudes, not least my own. And I bought some very fancy noise cancelling headphones with the prize money.

Competitions cover every kind of writing and writer and are held year-round. Writing magazines are good sources of information, and you can google by type. Many are free to enter so there’s no reason to pass on a chance for recognition.

Start a blog

Starting a blog is easier than ever, and can be low or even no cost. While it’s not easy to drive traffic to a blog, you can experiment with your style and start gathering fans.

If you’re querying agents for traditional publishing, they expect to see samples of your work if they Google you.

Your blog or website is the place to assemble your portfolio. Aim for consistent, high quality work rather than lots of rushed pieces.

Medium is one of the best places to expand your writing career. You can write for yourself, or for publications boasting thousands of followers.

Do both and spread your net wider. Look around and see where you could fit in. Try Smedian, a site that gathers useful information on publications plus links to joining them as a writer.

Submit to magazines

Study the websites for guidelines on what the editor is looking for and how to submit. Editors need good fiction and non-fiction every month.

This article looks at non-fiction submission.

Submitting to literary magazines is covered here. This is a good way to build writing credits and a reputation.

With a Little Help From My Friends

If you want to go fast, go alone. If you want to go far, go together.
African proverb

Writing is a solitary occupation but sometimes it’s helpful to share the journey. Other writers understand the challenges and can be supportive, sharing ideas and information. Writing magazines host online forums where feedback and advice is given.

Many online groups exist, often run through Facebook. Real life groups get you out of the chair and offer social interaction.

Be prepared to stick with a group for a while to see if it’s a good fit with you and your aspirations.

 

Groups reflect life and can be breeding grounds for negative interactions, so if you’re experiencing overbearing or overcritical personalities leave gracefully and look for another.

Try It Now

Prompt: a person finds a key in the street.

Now write about it in 500 words or less.

Non-fiction writers, write a poem of any form.

Fiction writers, write a factual piece.

Poets, write a short story.

Take the Next Step

You want to improve and get to the next level?

Challenge yourself to do something new and stretch your muscles. Then employ that new strength in a new area. You never know, your real calling might lie in a totally different place from where you are now.

It’s time to get moving.

blog, creativity, Pat Aitcheson writes, writing, writing process

How To Be An Authentic Writer Without Feeling Exposed

the truth doesn’t have to hurt

Photo by W A T A R I on Unsplash

Anyone who is going to be a writer knows enough at 15 to write several novels.
May Sarton

They say write what you know.

Be authentic and write from the heart. But what if that’s too painful? What if, like many writers, you’re afraid to be exposed by your words?

It happened to me. I wrote a story that I was afraid to publish.

Not because it was risqué or difficult. It was honest and true. And that was the problem. It was too honest, too raw, and reading it over felt like dissecting a part of my heart and leaving it open for anyone to see.

As we all do, I drew on experience as well as imagination to create my world. Something sneaked past my filters and on to the page. I wrote it for a competition, but missed the deadline while I agonised over whether to let it go.

How could I be prepared to send this off to be judged by strangers, but hesitate to post it on my own media?

The difference was anonymity.

The story was too close to uncomfortable truths. I usually bury those truths within the lie of fiction, but here they were all too visible to me.

Many writers know this feeling. What if someone who knows me reads it?

I wanted my stories to be strong. But I didn’t want to write them with my own blood.

Was I right to hesitate?

All Eyes On You

Have you ever heard the expression: Walk a mile in my shoes, and then judge me? And write your own books.
Ann Rule

You know how it feels when you’re anxious or shy. You feel as if everyone is looking at you and worse, judging you harshly. But that’s not true. Everyone is as consumed by thoughts about themselves as you are.

This is known as the spotlight effect. You hide because of the erroneous belief that everyone is watching. They’re not.

Remember that as the author you know everything about your story. You know where you found events and people that appear in it. Nothing is disguised. But the reader doesn’t have that inside knowledge. As long as you change details, especially about real people, the reader’s unlikely to draw the conclusions you fear.

You have to trust your story, and your judgement, and move forward despite anxiety.

Feel The Fear

You must do the thing you think you cannot do.
Eleanor Roosevelt

One day, heart pounding and mouth dry, I attached the story to a competition entry and pressed send. I felt sick.

Months later, heart pounding and mouth dry, I read that prize-winning story to an audience of writers. They told me how they had been drawn in by the emotions portrayed.

beach_publicdomainpictures
 

The dilemma we face as artists is the need to be authentic, to bleed onto the page, while retaining our emotional integrity. Deep connection with a story is visceral recognition, a punch in the gut that speaks more eloquently than any words could.

And it is the drop of your blood, the moment of vulnerability, that makes the connection true.

Channel real emotion into honest writing.

If you’re writing memoir, events can be portrayed as they happened, letting the reader experience them with you.

If you’re writing fiction, you need to get emotion on the page without revealing your source material. Change names and places. Combine elements of real people into a new character. Writers have the power to immortalise or demonise friends and enemies — but a libel suit or worse, an angry relative is best avoided.

When you write betrayal, for example, think back to when someone let you down. Allow yourself to experience it again and jot down the first words that occur to you. The first words are the true ones, before your brain has time to filter and censor.

How would your character express those feelings? The circumstances are different, but the emotion is familiar.

You don’t know how it feels to hide during an alien invasion. Or maybe you have been that person, frightened of being discovered or left behind. In any case you do know something similar; fear, despair, anger, hope. That’s what you write.

Only Connect

It is only when you open your veins and bleed onto the page a little that you establish contact with your reader.
Paul Gallico

I don’t suggest you should spill every secret on the page. But some experiences have lessons worth sharing. In sharing experiences and lessons learned, we connect. We give people the chance to recognise themselves on the page, and feel less alone.

Show us a glimpse of your soul, show us what it is to be human.

When you hesitate because it feels too personal, write it.
When you pause because it’s still a little raw, write it.
When your heart pounds at the sight of those true words, write it.

Someone needs to read your words and recognise themselves within them.


Have a comment or suggestion? Leave it below.

blog, creativity, writing, writing process

How To Bounce Back When Your Writing is Rejected (Even Though You’re Terrified of Another No)

Photo by photo-nic.co.uk nic on Unsplash

A boo is a lot louder than a cheer.
Lance Armstrong

Rejection is tough.

No matter what people say about collecting 100 rejections or actively seeking out rejection in order to grow, rejection never feels good no matter how you try to spin it.

If you’re a creative, you’ll face a lot of rejection. Your pitch, query, design or article will be politely turned down, or worse, ignored altogether. You’re hardwired to remember the negative more than the positive. But you go on because nobody has a perfect hit rate, right?

You try again, and again.

One day, another rejection is the final straw. You’ve been slaving away to make your work the best it can be, and you just can’t take any more. You stop working.

Each no makes you feel like an egg dropped on the floor. And this time, you shatter so badly that you can’t put yourself back together again. You know mindless distractions don’t help, but you numb the feelings with food or alcohol or endless scrolling anyway.

What are you going to do now?

Never Too Big To Fail

The reality is: sometimes you lose. And you’re never too good to lose. You’re never too big to lose. You’re never too smart to lose. It happens.
Beyoncé Knowles

Nobody succeeds all the time. When we see the hits, it’s easy to forget all the misses. And we never see all the pieces that didn’t make it into the public eye.

You are not your work.

You’ve put time and effort and maybe a part of yourself into your work, but it isn’t you. A rejection of your work doesn’t pass judgement on you as a person or your overall skill as a creative.

Separate your work from your self-esteem and reframe the loss. Maybe the piece wasn’t a good fit, or it was the fifth similar piece that month, or it was overlooked. None of that has anything to do with you. Remember opinion is subjective and what’s wrong for one person is just right for another.

Have a mourning period if you need it and then move on to action.

Take Two

Failure is simply the opportunity to begin again, this time more intelligently.
Henry Ford

The quality of the piece is something that is entirely within your control. Feedback on rejected work is uncommon but take it if offered. It’s time to review and rework your piece.

Could it be better? The answer is almost always yes. Look at it with new eyes, or pretend it belongs to someone else. When in doubt, cut the beginning. It might work better without it, or with a new opening.

Learn to self-edit ruthlessly and polish your work to show its best features. When you believe it can’t be improved further, you’re ready for the next step.

A New Home

Have you had a failure or rejection? You could get bitter. That’s one way to deal with it. Or…you could just get BETTER. What do you think?
Destiny Booze

Take your shiny piece and resubmit elsewhere. If you want to be published in a journal, you have to contend with a very low acceptance rate.

Let’s say your journal of choice publishes four pieces by new writers four times a year. Only sixteen of the hundreds or perhaps thousands of pieces they receive will make it. The same goes for contests.

The odds are against you so you’ll have to play more games to increase your chance of winning. A tiny proportion of players become winners, but that doesn’t mean that the rest have no merit.

Alternatively, bypass the gatekeepers completely. You have the freedom to publish whatever you choose on sites such as MediumWattpad, or your own blog.

Believe in your work and search for a better home.

Climbing From The Wreckage

It’s you vs. you.

Dwayne Johnson

So you sent your story out to do battle elsewhere, or maybe you concluded it wasn’t in fact good enough. Your next step is to regroup and renew.

Look around for the next opportunity — a contest or publication. Use prompts. Or indulge and write something just for yourself. Make something new and make it great. Setting a deadline forces completion.

A portfolio of completed pieces boosts your confidence and drives improvement in your skills. No words are wasted whether they are made public or not.

Do you keep an ideas file? If not, start one. Capture them all in one place, whether digital like Evernote or the notes function on your phone, or an old-school notebook. When you don’t know what to write, pick an idea and write without judgement.

Don’t be derailed by perfectionism. Your inner editor will whisper, “That last piece bombed, what makes you think this will do any better?” Ignore it. Your job is simply to write.

Spew out a messy first draft and keep going till you reach the end. You can’t edit an empty page.

The first draft of anything is shit.
Ernest Hemingway

You have more stories to tell, so get writing.

Rise Up

Your ability to adapt to failure, and navigate your way out of it, absolutely 100 percent makes you who you are.
Viola Davis

What’s the real meaning of rejection?

It means you succeeded in facing the worldYou took a chance on your own abilities and risked the pain of failure. Rejection is a lesson. It asks, “How much do you want this success, and what price are you prepared to pay?”

There’s no shame in giving up a dream, as long as you don’t give up on dreaming altogether. There’s no shame in failure, as long as you use it to fuel your work.

Every five or ten rejections, reward yourself for effort. It’s painful and you deserve to ease that pain, even if you accept it’s necessary for your growth. We all know the Beatles, Ernest Hemingway, and JK Rowling faced rejection before they found success. But it’s still hard when it happens to you.

Nobody bats a thousand. But winners keep swinging until they hit that home run, and then they keep going. Athletes who didn’t make the winners’ podium carry on eating clean and logging training hours so they can beat their personal best and win next time.

To make rejection work for you,

  • Reframe the loss
  • Review and rework it
  • Resubmit elsewhere
  • Regroup and renew your efforts
  • Reward your bravery

Rejection is unavoidable, but you can work through it. Success is waiting, so keep writing.

A rejection is nothing more than a necessary step in the pursuit of success.
Bo Bennett


Have a comment or suggestion? Leave it below.

blog, creativity, writing

How To Be Interesting

goodbye to boring

Photo by Naassom Azevedo on Unsplash

I never said I wanted a ‘happy’ life but an interesting one.
Isabel Allende

Wanna know one of the biggest secrets in the world? One that millions of people will never admit?

No matter how much you deny it…

You want to be remembered, live a legacy, and have an awesome life.

You want to be remembered for the right reasons, whether that’s beauty or intellect or wit. You definitely don’t want people to sigh when they hear your name.

You’ve met people like that. They attach themselves to you at a party and talk endlessly about their pet subject. They ask a question and as soon as you stop talking they launch into a monologue.

At work, they monopolise meetings. A watercooler chat becomes another arena for them to demonstrate superiority. You know much more about their private life than you ever wanted, because they tell you.

You can’t wait to get away. And you hope that you’re not like that, but how can you be sure?

Cast the Net

An intellectual is a person who’s found one thing that’s more interesting than sex.
Aldous Huxley

Interesting people go wide with their interests and avoid convergent thinking. They’re curious about everything they encounter.

Convergent thinking is an efficient way to reach a goal, like fishing with a rod where fish have been caught before.

In contrast, divergent thinking is messy and unpredictable, like casting a net in the open sea.

Convergent thinking takes information and discards multiple options until it arrives at the correct answer.
Divergent thinking collects multiple options any of which could be the correct answer.

Single-minded focus on one object is necessary and desirable in many situations, like landing a jet or flipping a pancake. But on its own, it won’t make you an interesting person. Neither will knowledge or intelligence.

To be interesting, you really need just one thing.

One Way Leads To Many Roads

Curiosity is one of the permanent and certain characteristics of a vigorous mind.
Samuel Johnson

Curiosity drives interesting people.

Interesting people apply divergent thinking to their world every day. When they encounter something new, whether a person or a philosophy, they resist the natural tendency to drop it in a box they already know.

For example, you might think gardening is boring. Yet approaching it with curiosity allows you to find common ground with the person who’s passionate about it. You’re looking for the overlap between their specific interest and your general interest in the world. So instead of politely nodding, ask open questions.

What’s the best (or worst) thing about gardening?
What’s your favourite plant that you grew yourself?
If you couldn’t garden, how would you feel?

These answers require deeper thinking and they reveal more about a person than standard small talk ever will.

Asking what someone does for a living is routine. More interesting questions might be

What do you enjoy about your work?
What do people get wrong about your profession?
How do you relax after a stressful day of (occupation)?

But asking the right question is only the first step.

One Closed and Two Open

Most people do not listen with the intent to understand; they listen with the intent to reply.
Stephen Covey

Most people love to talk about themselves, so let them —  and they’ll think you are the most interesting person in the world. Ask the right questions and listen actively. That means being present and engaged, not looking around for your next networking opportunity or waiting for an opportunity to drop your brilliant insight. People will appreciate genuine interest.

We’re given two ears and one mouth. Use yours accordingly.

This isn’t to say you must never speak. Aim to listen, understand, and only then speak. If you want to show off your knowledge, enter a pub quiz or give a seminar. How do you turn those dry facts into something interesting?

Not All That Glitters is Instant Gold

When you’re curious, you find lots of interesting things to do.
Walt Disney

Interesting people gather new information even if it doesn’t seem immediately useful.

Steve Jobs took a calligraphy class as a dropout student. That led him to spend time in a monastery and, much later, develop proportionally spaced fonts for the fledgling Macintosh computer.

Visual art was unrelated to his technology skills, but he combined them and revolutionised the look of computing.

Having more raw material to work with gives you more options to make interesting things. And that’s the essence of creativity.

Photo by Marnix Hogendoorn on Unsplash

Bored Isn’t Interesting

And also, a thing is interesting because of thinking about it and not because of it being new.
Mark Haddon, The Curious Incident of the Dog in the Night-Time

Only boring people are bored is something I heard as a child. I’d like to turn that saying on its head; interesting people are never bored.

You can find something of interest in almost anything, simply by closer observation. That single-minded focus becomes meditative when watching raindrops on a window or a bee visiting flowers. Ask yourself open questions.

What is happening here?
How can I describe this sound in words?
Where did this drop of water come from and where will it go next?

When you can find something new in the everyday, then you distance yourself from the constant dopamine hit of passing novelty. See what is in front of you, rather than always looking around for the next new thing.

Passion is Contagious

You are not wrong to be unique. You are not incorrect because you are different. You should not be sorry for being interesting.
Jessica Hagy, How to Be Interesting

One of the most wonderful connections we can have is to hear someone speak about their passion. Passion illuminates and sparks recognition in ourselves. It’s hard not to smile when you see it.

Perhaps you’ve learned to hide your passions because you’ve been met with boredom or told to shut up about it. But without passion life is stale and beige.

True attention is a gift all too rarely given these days.

Interesting people are not about hogging the limelight. They’re secure enough to let others shine, and they want to know more about other interesting souls.

If someone gives you the space to let your passion show, remember that a conversation is like tennis; serve and return. Both players can’t have the ball at the same time.

In Your Court

Interesting people are interested in things other than themselves. They’re educationally omnivorous. And so they end a lot of sentences with honest question marks.
Jessica Hagy, How to Be Interesting

The world is full of wonders, and other people are among those wonders.

  • Pay attention to everything you encounter.
  • Be curious.
  • Ask open questions.
  • Dismiss your first thought and always have a second thought.
  • Listen more than you talk.
  • Give people space to be brilliant, and they will want to spend more time with you.

Be interesting. The world needs you.

blog, creativity, poetry, productivity

Making my way

StockSnap via pixabay

It’s getting cooler now, autumn truly setting in as what’s left of summer fades away. Rain trickles down the windows. I stare out at the grey sky, and I don’t know what I’m doing or why.

I begin work.

Sometimes nothingness and oblivion are far more appealing than they should be. Have I had a good life, someone asks. I’ve been good. I’ve done good. Followed the rules. Not made a fuss.

I don’t know if that is a good life. If it is good for me.

I keep working.

It seems futile, shouting into the void, scratching symbols on the sand for the tide to wash it away. Hurricanes blow away human constructions, suck the very ocean from the earth. People talk feverishly of end times, booking places in the lifeboat of faith. They know they will be saved. All seems futile, all comes to an end, why not here?

I have not come to an end. I wake, and it is another day, and I go on working.

There are lean times, and times of plenty. There are droughts, and oases of green. There are things made of grey, and nothings made of black. There are places where all these co-exist, a Schrödinger dimension of ideas. My head is one of these places.

In the midst of death and endings, my fingers sprout new lives and beginnings that never were. I build word bricks into sentence walls and so construct whole cities of fanciful notions, airy and insubstantial and leaden. If I don’t spit them out they weigh me down and I drown in a sea of tears.

I must work.

Fly my pretties, out into an uncertain world of indifference and pain. Let me birth you one by one, sit gasping and bleeding in the road, then catch my breath and move on, never looking back. Another cuckoo grows within. I sleep, and life comes to me again with dawn. I rise, weary.

The work compels me.

If I have material or if I have not, it is the same. It is only the work, the creation, the what if spur in my flanks, that gives meaning to the day. I may turn my back, but it is always there.

And so I’m doing the work.


 

blog, creativity, productivity, writing process

Learn to Love Frustration

beating the block isn’t what you think

Photo by Fancycrave on Unsplash

 

Do you sometimes feel like you’re banging your head against a wall?

Your puppy fetches the ball, but won’t drop it. Your golf handicap is stuck at 22 despite taking lessons from the club pro. You can’t get past 25K words in your novel.

Or maybe the situations are all internal. Despite resolving to work smarter, you can’t stop playing that online game. You resolved to write 500 words daily but you wrote barely 500 in the last two weeks.

All these situations share one thing; you’re not getting what you want. Instead, you have effort without progress. You’re tempted to shout in anger or walk away in disgust.

It’s just not working. And you don’t know what to do next.

So Close

Expectation is the mother of all frustration.
Antonio Banderas

You might assume that as you become more skilled or experienced, frustration lessens. Sadly, that’s not true.

The novice knows she lacks skill. She has everything to gain and getting it wrong is a necessary part of the process. She endures the frustration of failure because there is no other way to improve.

Now consider the skilled practitioner who wants to improve. She’s gone through the early stages of learning and she has a decent level of skill. Now she wants to step up her game. She knows what she wants to achieve and she’s confident, having done something like it before.

If she enters a new arena where the players are more advanced, she must return to the novice position. This isn’t easy, because it entails putting aside her hard-earned pride in her skills. The frustration in failing again at what ought to be easy is huge.

Some years ago I took a postgraduate course on teaching adults. A twelve-month course was condensed into eight. The students were all respected professionals with letters after their names. Enthusiasm varied but the course was mandatory and how hard could it be?

We struggled. Every one of us.

The academic writing style was alien to me and my tutor’s comments reflected that. We were used to working hard for top scores; what do you mean the marking range is 50–60 marks?

We couldn’t accept that a mark of 54% was deemed a reasonable pass, that 58% would be excellent, that 60% was perfect and impossible to achieve. The workload was tough, on top of demanding full-time work and managing both practice and teenage family.

One woman, traumatised by failing an assignment for the first time in her life, never returned for the second module. I was used to being a high achiever, and suddenly I was in unfamiliar territory with a hard deadline to meet.

I had to find another way, fast.

Beginner’s Mind is Only the Start

Needing to have things perfect is the surest way to immobilize yourself with frustration.
Wayne Dyer

Beginner’s mind is that state in which the student is like an empty cup, waiting to be filled. In it we accept that we don’t know; we keep an open mind.

In reality, we can’t jettison everything we think we know so easily. For expert professionals, a great deal of self-worth and ego is tied up in knowledge and competence, the things for which experts are respected and rewarded.

A pragmatic compromise is to separate things we know from things we don’t yet know. It’s tempting to let real skills in one area bleed into an assumption of skill in another. Hence pop stars try to act and actors try to sing, with varying results.

For me and my postgraduate student peers, it meant returning to a state we’d left far behind us; a state of ignorance.

I had to let go of my past behaviours and assumptions. The minimum needed to pass was an aggregate score of 51%. That miserable number still required a ton of work.

We could argue about which referencing style was superior, or we could accept that the university required the Vancouver style and get to learning it.

I still had my skills in studying, revising, and time management. I still had expert status in my own field. Being a beginner again didn’t negate those things.

I only pushed through my frustration after a clear analysis of the work and resources needed, but without overvaluing my past experience.

There’s no shame in not knowing, as long as you’re prepared to learn.

A Different Playing Field

You have expectations about the effort needed and the results you can expect from that effort. You experience frustration because either:

  1. You’re putting in an effort but not achieving the goal.
  2. Your actual effort is less than your perceived or promised effort.

1. Nice Try But No Cigar

You must figure out what is blocking your progress and then be ready to act, even if it goes against the grain. It’s okay to ask for help. High achievers have coaches and mentors on their teams.

Do you need to lean into practice? The very best practitioners in all disciplines practise over and over. They hit millions of balls, run thousands of miles, or write millions of words before the world sees them winning.

Moving up a level in your field rests on doing more. And then, when you’re sick of it, do it again.

Perseverance is the hard work you do after you get tired of doing the hard work you already did.
Newt Gingrich

Improving in a new field means checking your ego at the door. Listen to the coach and follow instructions. You can’t win at baseball using a golf club or marathon running techniques.

2. The Lies You Tell

Are you guilty of complaining? You tell anyone who’ll listen that you just don’t have time to write, you’re too busy to work out, or you have special circumstances that stop you from doing what you said you would.

Before you can lie to someone, you first lie to yourself.

You already know what stands in your way. You prioritised it and did that instead. Hard work is hard and boring. You want an easy life — but here’s the thing.

You can have excuses, or you can have results.

You can have excuses, or you can have results. The choice is yours.

Other people have achieved what you want with fewer resources and greater challenges. So decide what you really want and commit to it fully.

Assume you’ll fall into bad habits again, then plan around your weak spots so you keep working.

Fill the fridge with healthy food options. Pack your gym bag at night and put it in front of the door so you can’t avoid it the next morning. Use distraction-free software to keep your focus on the words you’re producing.

Tell yourself the hard truth. You are the only one holding you back.

How Much Do You Want It?

Success is not built on success. It’s built on failure. It’s built on frustration. Sometimes it’s built on catastrophe.
Sumner Redstone

Why suffer through frustration when it’s easier to give up?

Because the obstacle doesn’t block your path — it is the path.

The obstacle is there to teach you humility, to test your resolve and strengthen your muscles, to drive your growth.

And the prize will be all the sweeter after the struggles you endured. It’s time to stretch for the higher fruit.


Have a comment or question? Drop it in the form below and let’s talk.

blog, creativity, Pat Aitcheson writes, writing process

What’s Your Superpower?

Be your own hero

boy child clouds kid
Photo by Porapak Apichodilok on Pexels.com

 

I have a weird question for you…

How special do you feel right now? Over seven billion people on this planet, and there’s nobody quite like you.

But unique isn’t always enough, is it?

You feel ordinary, nondescript, forgettable. Even though you’re trying hard to be more, make a difference, stand out somehow, it’s not working. You feel like a failure because the gap between where you are and where you want to be is so great.

So what do you do about it? Let’s start with what definitely won’t work.

Feedback Doesn’t Work

You’re realistic about what you can achieve.

Your goals are SMART. You write, but you’re not JK Rowling. You sing, but you’re not Beyonce. You play soccer, but you’re not Lionel Messi.

You take stock of your skillset and work on your weaknesses. You take on board the lessons of constructive critique.

Playing only by these rules traps you in a limiting cycle of assessment and remediation.

Stop Flogging the Horse

Most of us can instantly remember being corrected, disciplined, or criticised for some action. It still happens on a daily basis for many of us. We’re far more likely to recall events imprinted with negative emotions. The negative memories guide our future behaviour for years to come.

Can you recall being praised for doing something really well? How long ago was that?  Yet being rewarded for doing something well makes it more likely that you will do it again.

Positive reinforcement works, whether we are learning to tango or training a dog to fetch a ball. Positive reinforcement rewards desired behaviour. Each time you do something that brings you closer to the desired standard in any way, you get a reward.

Rewards are tangible like money, or intangible like time or praise. Praise is one of the most potent rewards of all because it’s rare, and winning genuine praise from a person you respect is a great motivator.

Positive reinforcement rewards effort, not just the final result. Reaching a standard involves repeated effort that moves closer to the target, and rewarding the work done motivates you to keep trying even when the goal is still some way off. That’s crucial when undertaking a lengthy project or course of study.

Bad To Be Good

Some skills come easy. And we are conditioned to believe that if they come easy, they aren’t as valuable as those that are hard won. The teacher doesn’t praise your descriptive prose, she focuses on your weak grammar. The parent ignores your accurate scale model of the Death Star but focuses on your low grade in maths.

Over time your confidence in the things that you can do with ease, the things you enjoy, is eroded. You’re trained to discount your talents in favour of endless remedial work on things that are valued more. You’re forever failing. How does that feel?

Time to reset your approach and accentuate the positive.

The Humility Trap

Some people have a hard time identifying anything they’re good at. They feel uncomfortable even thinking about it. This usually relates to a time when they showed skill and were reprimanded for it.

Perhaps you were told to stop showing off, to be humble and modest, not to rub it in people’s faces. You remember how it felt to be slapped down for thinking you were better than the next person when you were probably worse.

Your discomfort is rooted in shame, a deep and pervasive human emotion. Shame is corrosive. Shame bypasses the behaviour and sticks to the person, leaving a sense of wrongness that’s hard to describe but easy to take on board.

Negative value judgements by important figures can lead to a lifetime of low self-esteem.

You learned to keep your head down because the tall poppy standing above the others gets cut down. Even heroes of popular culture are revered one day and vilified the next.

These comments are expressions of envy. Building strong self-esteem helps you shrug off the hateful comments. They hurt, but you move past them because you know what you’re here to do.

Performing a task successfully gives us a sense of being in control and achieving a goal. The more often we do this the greater our feeling of self-efficacy. It follows that performing tasks we enjoy and are good at increases confidence.

Achieving mastery of a task is one of the best ways to increase self-efficacy. It promotes a positive attitude to change, and willingness to engage with challenges that serve us well in every area of life.

You have the right to be good.

Every Facet Shines

An elite practitioner spends many hours working on their weaker areas. But they also work on their strengths, the things they are good at. To be elite is to grow in all areas, not just one or two. Exercising skills makes us happier, more attractive to others, and more confident.

People who possess confidence without arrogance and believe in their own abilities are happier than those who have low self-esteem. The belief that you can change and improve your own life is built on setting goals and reaching them. This confidence supports all areas of life, as long as you have a growth mindset. That is, you believe that you can learn and change throughout life; your skills are not fixed in stone.

A person with a growth mindset isn’t limited by where they are currently because they know they can learn new things. They acknowledge their skills, and then they amplify those skills. They value their talents, therefore they work on them and use them, which makes them happier and more likely to repeat the behaviour.

A winner is someone who recognizes his God-given talents, works his tail off to develop them into skills, and uses these skills to accomplish his goals.
Larry Bird

LEGO Batman, Wonder Woman, Sonic Hedgehog, and Harry Potter Gandalf toys

Focus On The Right Things

What’s your superpower?

It’s the thing that comes easier to you than others. You don’t know how you do it, you just do. You learn and improve quickly, even if you struggle with other things. It might be part of a bigger skillset or stand alone.

  • Tennis backhand
  • Packing a suitcase
  • Playing a new song by ear after hearing it once
  • Knowing all your sports team’s stats for the last five years
  • Sense of direction
  • Affinity for animals
  • Remembering numbers
  • Making a meal from leftovers

You might not need or use these exact skills every day, but when you do they bring a smile to your face. You did it and you did it well. Why not smile and feel good about yourself more often?

Own Your Power

Think of your superpower.

What do you find easy and enjoyable? What makes you smile?

You’re going to do more of that. Take your sports knowledge to the pub trivia team. Get out your guitar and play along with the radio. Read that story you wrote last year and enjoy the descriptions you got just right. Bake a pie because you’re a dab hand at it, take it to work for coffee break. Buy a book of Sudoku or download a game to your phone and play to the end. Instead of buying a card for your friend, paint a tiny canvas instead.

Why do this? Because you can.

Doing a thing well is its own reward. If you do something really well, in a way no-one else can, money may follow. If money were the only measure of success, the rich would be happier in proportion to their wealth. We all know that money is important but not the whole story.

Focus on how you feel about yourself and avoid the trap of more money, less happy.

We’re not here to blend into the background. We’re here for a short time, and our only purpose is to make the best use of that time.

I want to marvel at your ability to compose rude poems on the spot or drink a yard of ale without spilling a drop. I want to see your beautiful calligraphy or hear you sing Happy Birthday in four languages. Then I want to see you smile and feel good. Isn’t that better?

We ask ourselves, ‘Who am I to be brilliant, gorgeous, talented, fabulous?’ Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won’t feel insecure around you. We are all meant to shine, as children do.
Marianne Williamson

blog, creativity, Pat Aitcheson writes, writing process

How to Share Your Writing With the World (Even If It Scares You To Death)

Who owns the story you just wrote?
boy holding a Chinese lantern by pixel 2013
pixel 2013 via pixabay

Surely the words belong to you, right?

You found an idea and arranged the words to express that idea before putting them out in the world.

You spent time and effort making sure you’re adding something new to the conversation.

You’ve chosen to share it with the world, but it’s still yours.

Except that the moment you pressed publish, you lost control.

No Strings Attached

We’re trained to be polite when giving and receiving gifts. We learn to navigate the minefield according to unwritten rules, and if someone fails to play the game right we call foul.

When you send your work into the world, you expect it to be received with polite thanks at least, and effusive gratitude at best. But you fear bad things will happen and you’ll be powerless to do anything about it.

Your work, that gift for the reader that you laboured over, gets ignored, thrown to the ground and trampled on, or taken apart until it is shredded beyond recognition. You’re angry, disappointed, and afraid to risk trying again.

You must try again and change your attitude to giving.

We’re all adults and we know that many gifts don’t hit the spot. It’s on the recipient to decide what they do with the gift, and as long as you gave in good faith that’s where your influence ends.

If you’re giving what someone might need or use, give it freely. Don’t be that person who gives money but dictates what to buy with it. Don’t be that person who gets huffy when you don’t bring out their gift every time they visit.

All you can do is put enough time and effort into making sure you’ve created your best possible work.

After that, it’s time to forget expectations and cut the strings.

Lightly Not Tightly

A busy road separates my house from the main residential area. My son, then aged nine, wanted to cross the road and cycle to his friend’s house alone. I was worried; a girl had been killed on that road shortly after we moved in. I was acutely aware of all the potential hazards. At the same time, he was growing up and wanting more independence.

I had several options at that point:

  • Keep him at home
  • Let him go but only with a parent
  • Let him go alone

Many factors played into this decision but eventually, he would have to face the world without me beside him. My job as a parent was to teach him how.

Two of the hardest parenting lessons to learn are how and when to let go.

Stories are like children. You’re responsible for keeping them safe while they develop and giving them the tools to survive. But after that, they’re on their own.

Your story belonged to you. Now you must find a way to set it free with a light heart, rather than holding on too tight. Then, like your child leaving the nest, you give your words and creativity room to grow and fulfil their purpose.

 

Screen Shot 2019-01-07 at 23.46.23
pixel2013 via pixabay

Random Acts of Connection

I know that books seem like the ultimate thing that’s made by one person, but that’s not true. Every reading of a book is a collaboration between the reader and the writer who are making the story up together.
John Green

We write with a specific idea in mind, but that idea can spark many different connections in different minds.

Once I wrote a fictional argument between two gay men about authenticity. I received a long comment in return from a woman, married with children, who identified so strongly with one character that she was in tears reading it.

This was not the reaction I intended. But it told me that for one person at least the issues resonated, so strongly that she took the time to reply.

We write to connect. We can’t predict whether we connect or in what way, because each reader is unique. Each reader views the story through a unique lens shaped by personality and experience.

A story is different for everybody who reads it and the writer only owns the first version. The reader filters and changes your words, consciously or not. Their response has more to say about them and where they find themselves at that moment than the story itself.

The glory of a good tale is that it’s limitless & fluid; a good tale belongs to each reader in its own particular way.
Stephen King

So consider your story a child of your imagination. Make it as strong as you can. When it’s ready, send it into the world. Your story is outside your control now, and that’s as it should be.

Every child must walk its own path. Every story must make its own way.

Whether people react to your words with delight, anger, scorn, or tears, you’ve done your job. You made a connection. The outcome is not your responsibility as long as the story comes from a place of love, and a desire to share and receive something positive.

That also means that every story has the ability to change someone in ways you can’t predict. Who knows what comfort you can give to a person who can finally say, “That’s me, that’s how I feel.” If you can do that, why hesitate?

That’s the true worth of a story – the possibility of learning, wonder, and growth for writer and reader. Accept this responsibility and use your powers for good.

The world is waiting for your story.